When the French edition of "Confronting Images" appeared in 1990, it won immediate acclaim because of its far-reaching arguments about the structure of images and the histories ascribed to them by scholars and critics working in the tradition of Vasari and Panofsky. According to Didi-Huberman, visual representation has an 'underside' in which seemingly intelligible forms lose t...(展开全部)

An authoritative history of art history from its medieval origins to its modern predicaments In this wide-ranging and authoritative book, the first of its kind in English, Christopher Wood tracks the evolution of the historical study of art from the late middle ages through the rise of the modern scholarly discipline of art history. Synthesizing and assessing a vast array of wr...(展开全部)

This masterly collection of texts interrogates the raging academic question, What is art history? Editor Preziosi, who directs ground-breaking critical studies of art history and museology, provides introductions to 35 challenging readings gathered in nine chapters. This plethora of alternatives is curiously complicated, even obfuscating. Covered here are the most current and r...(展开全部)

Eating and drinking images may seem like an anomalous notion but, since antiquity, in the European and Mediterranean worlds, people have swallowed down frescoes, icons, engravings, eucharistic hosts stamped with images, heraldic wafers, marzipan figures, and other sculpted dishes. Either specifically made for human consumption or diverted from their original purpose so as to be...(展开全部)

In 1764, Johann Joachim Winckelmann published a key early instance of art-historical thinking, his "Geschichte der Kunst des Alterthums", here translated into English for the first time. Dazzled by the sensuous and plastic beauty of recently excavated artifacts - coins, engraved gems, vases, paintings, reliefs, and statues - Winckelmann synthesized the visual and written eviden...(展开全部)

Fred S. Kleiner is Professor in the Department of History of Art & Architecture and the Department of Archaeology at Boston University, where he was taught since 1978. He is the author of more than a hundred publications on Greek and Roman art, architecture, and numismatics.

A HISTORY OF ROMAN ART is a new authoritative and lavishly-illustrated survey of the art of Rome and the Roman Empire from the time of Romulus to the death of Constantine, presented in its historical, political, and social context. All aspects of Roman art and architecture are treated, including private art and domestic architecture, the art of the Eastern and Western provinces...(展开全部)

Since its first publication this book has been hailed as the most up-to-date and wide-ranging history of art ever published in a single volume. This quote from Andrew Graham Dixon describes the book: 'Spanning continents and millennia, ranging from man's earliest cave paintings to the works of Picasso and beyond, this is a hugely ambitious book. But thanks to the breadth of the...(展开全部)

Over the last four centuries, historians have increasingly turned to images in their attempts to understand and visualize the past. In this wide-ranging and engrossing book, a distinguished art historian surveys the various ways that they have adopted for making use of this material, and he examines the specific objects that became available to them through excavation, the crea...(展开全部)

With more than four million copies in print in 14 languages, History of Art has long been considered the indispensable art reference. Now, this classic survey of Western art returns in a thoroughly updated and expanded Sixth Edition with 150 new illustrations, completely redrawn maps, and updated bibliography and website directory. The much-anticipated new edition brings togeth...(展开全部)